DURING the more than one hundred years of the company’s existence, different founding dates have been celebrated at different times. This seems to have been at the whim of the president of the company each time. Of all the firms in America which should give particular attention to its founding date, it should be Medallic Art Company. After all, it has helped thousands of organizations, firms, institutions, trade associations, and universities celebrate the anniversary of their founding. But it was difficult to pinpoint exactly what event was actually the “founding” of the medal making firm.
We view these founding dates in the most permanent way possible – on medals, anniversary medals! – in addition to advertisements, publications and such. What could be better documents than the company’s own anniversary medals? Here then is a list of these dates, as each president of the firm interpreted what he considered the company’s founding date.
1900
This date has no evidence to support it. It was first celebrated in 1950 when president at the time, Clyde Curle Trees issued this 50th Anniversary Medal. The reason he did this was to help celebrate a new building that housed the firm in Midtown Manhattan. As full owner of the firm, Trees became wealthy immediately following World War II from millions of military decorations the firm produced. For months the tiny firm ran three shifts around the clock making the Victory Medal, American Theater, Good Conduct decorations and dozens of campaign medals for the U.S. Government.
Trees bought property with his freshly acquired money. In addition to property in White Plains where he build a home, he acquired two adjacent lots on New York’s East 45th Street with existing buildings that he refurbished and merged into one with the shop on the first floor and offices on the second. He acquired these in 1946; it took two years to connect and renovate the two buildings, plus another two years to move in the equipment and completely occupy it. He wanted to have an open house celebration in 1950, so he arbitrarily called this year – by sheer fiat! – the firm’s fiftieth anniversary.
Clyde held an open design competition among sculptors for that 50th Anniversary Medal and to his surprise he received hundreds of entries. He awarded three cash prizes and a handful of honorable mentions in addition to the winning entry won by Bruno Mankowski, issued as the firm’s official Fiftieth Anniversary Medal (50-26).
1900 Again
In 1960 when the president was then William Trees Louth, Clyde’s nephew, he issued a 60th Anniversary Medal. If Clyde said 1900 was the firm’s founding date, who was his nephew to disagree? Later presidents, Don Schwartz and Robert Hoff both employed this erroneous date in promotional material and advertising. All despite no evidence whatsoever as the accuracy of this year as the firm’s actual founding.
1903
While the Weils – Henri and Felix – were still in charge of the firm in 1928, they issued that year a 25th Anniversary Medal. This date has some credibility, slightly! It is believed the pair chose this date as the year Henri went to work for the Deitsch Brothers. Henri worked for these German manufacturers of ladies handbags in New York City by providing the metal filigree trimming, then in fashion, on the firm’s major product, leather bags and such. He cast these in silver, but later found he could have them struck, quicker and at a lower cost (see next paragraph).
1906
It was this year in which Henri Weil, while on vacation to his native Paris, learned of a machine that he foresaw as aiding his creation of the metal trimmings to the ladies handbags. He telegraphed his employers back in New York City of his find – the Janvier die-engraving pantograph – who immediately replied for him to buy the machine and learn its operation before returning to New York. They demanded he bring that machine back with him. He did. So this is the year the first Janvier is imported into America, by Henri Weil, for his employers, the Deitsch Brothers. However, this year, or the next – which could have been considered a founding date – was never immortalized on a medal.
1907
This year was the date of the first medal made by use of that Janvier — not for ladies metal findings, which had fallen out of fashion — but for medallic reductions as a means of making use of an otherwise idle machine). That first medal was the Henry Wadsworth Longfellow Medal by Bela Lyon Pratt. Below the photo is the entry for that medal in Dick Johnson’s Databank of American Coin and Medal Artists (under the listing for Bela Lyon Pratt).
1907 Longfellow (Henry Wadsworth) Medal [issued by the Cambridge Historical Society; this was the first medal dies cut by Henri Weil on the first Janvier die-engraving pantograph imported to America, while working for the Deitsch Brothers, in what was to later become Medallic Art Co; medals were struck in gold, silver and bronze by Tiffany & Co]. . .Deitsch 07-A, Baxter 218, Storer 1976
Auctions:. . . . . . . . . . . . . . . . . . BMP 1:4261; CAL 28:413;
J&J 12:438, J&J 18:429
Collection: American Numismatic Society. .0000.999.6005
Collection: Cornell University Johnson Art Gallery . . . 322
Illustrated: M10 {1923} Storrer Massachusetts, plate . . 33
Illustrated: M42 {1987} Baxter. Beaux-Arts Medal, p . . 57
Illustrated: MA1 {1988} Stahl. Medal in America, p . . 164
How Tiffany & Company learned of Henri Weil’s capability of cutting dies is unknown today. It is a tribute, perhaps, to the networking of artists. Henri, having been a sculptors’ assistant for more than 15 years, was among the sculptors’ “in crowd.” He knew all the major sculptors in New York City and they knew him. This must have spread elsewhere as Bela Lyon Pratt was a Boston sculptor. Word spread. Networking was in force even in 1907!
1909
This date can be pinpointed to the exact day, Lincoln’s birthday: February 12, 1909. On that date the Deitsch Brothers incorporated the medal business and did so as “Medallic Art Company.” The name had been suggested by a medal collector and Lincolnophile, Robert Hewitt Jr. Not only did he suggest the name, he ordered a medal to be sold to collectors, a Lincoln Medal. Two celebrations dominated that year, the centennial of Lincoln’s birth and the Hudson-Fulton celebration in New York City (with additional festivities up and down the Hudson River). Henri Weil was active cutting dies for both these celebrations.
1910
This year the Weils obtained control of the company. Henri Weil bought the Janvier die-engraving pantograph and what he thought was the entire medal business from the Deitsch Brothers including the name “Medallic Art Company.” But it required a separate purchase to obtain the name (as the Deitsches had surreptitiously sold all the dies and patterns Henri had made to a competitor, Davisons & Sons of Philadelphia – to Henri’s competitive disadvantage as this included the ongoing series of the Circle of Friends of the Medallion).
At first Medallic Art Company was operated by Henri Weil alone and this continued for five years. Felix was in partnership with Jules Edouard Roine, as Roine & Weil, a sculpture shop concentrating on creating reliefs and making galvanos. The brothers, Henri and Felix, shared their earnings, no matter who earned what, where, and this continued forward. As Henri got busy making medals he asked Felix to join him. Felix refused, until 1915, when his partner Jules became ill and wanted to return to France. A brief time after Roine left, Felix closed the sculpture shop and joined Henri as the brothers worked together thereafter as Medallic Art Company.